Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Nikolay Fechin
Portrait of Gril

ID: 50436

Nikolay Fechin Portrait of Gril
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Nikolay Fechin Portrait of Gril


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Nikolay Fechin

Russian, 1881-1955  Related Paintings of Nikolay Fechin :. | Portrait of man | Drummer | Man | Oriental People | Landscape |
Related Artists:
James webb
1825-1895
Trophime Bigot
Trophime Bigot (1579-1649/50), also known as Theophile Bigot, Teofili Trufemondi, Candlelight Master, Maître e la Chandelle, was a French painter of the Baroque era, active in Rome and his native Provence. Bigot was born in Arles in 1579, where he began his artistic career. Between 1620 and 1634, Bigot was in Italy, including Rome. He is known to have been in Arles in 1634, where he painted the altarpiece Saint Laurent condamne au supplice (Saint Laurence Condemned to Torture) and Assomption de la Vierge (Assumption of the Virgin) for local churches. Between 1638 and 1642, he lived in Aix-en-Provence, where he painted another Assumption of the Virgin. He returned to Arles in 1642, and divided his activities between this city and Avignon, where he died around 1650.
raoul dufy
raoul dufy(1877 to 1953) French painter, printmaker and decorative artist. From the age of 14 he was employed as a book-keeper, but at the same time he developed his innate gift for drawing at evening classes at the Ecole des Beaux-Arts in Le Havre,given by the Neo-classical painter Charles Lhuillier (1824-98). He discovered the work of Eug?ne Boudin, Poussin and Delacroix, whose Justice of Trajan (1840; Rouen, Mus. B.-A.) was 'a revelation and certainly one of the most violent impressions' of his life (Lassaigne, Eng. trans., p. 16). In 1900, with a grant from Le Havre, he joined his friend Othon Friesz in Paris and enrolled at the Ecole Nationale Sup-rieure des Beaux-Arts in the studio of L?on Bonnat. At the Mus?e du Louvre he studied the art of Claude Lorrain, to whom he painted several Homages between 1927 and 1947 (e.g. 1927; Nice, Mus. Mass-na). His encounter with works by van Gogh at the Galerie Bernheim-Jeune and with Impressionism at Durand-Ruel is reflected in such early works as Beach at St Adresse (1904; Paris, Pompidou).






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